08:37FATHER FIGURINE | Omeleto
From the creator
A family loses its patriarch. A wealthy family grapples with the sudden loss of Harold, the father and patriarch of the clan. At the reading of the will, however, they discover a strange clause in Harold's legal document: he wants his body to be stuffed and kept on display in the palatial family residence. If the family doesn't agree to these terms, then they get none of their inheritance. The omnipresence of Harold's body exerts a strange presence as the family grapples with their loss and their unresolved feelings for him. With his dead body as the home's latest "furnishing," each family member comes to terms with Harold's presence in their life as they go through a strangely heightened process of grief. Writer-director Matt Kazman's short takes the visual grammar of a wealthy family drama, applies an artful, darkly humorous lens upon it and renders a surprisingly meditative and emotionally rich meditation on family, grief and legacy, all while keeping an eye on how the machinations of wealth can affect the dynamics of love and bonding. Visually, the film will read for many like a darker, more somber Wes Anderson or legendary Japanese director Yasuhiro Ozu, using formal, portrait-like visual compositions to emphasize the grand yet stilted tableaux the family exists within, whether it's the ornate family home or the sumptuous yet claustrophobic interiors. Both luxurious and chilly, these images emphasize both the stifled atmosphere of the family as a whole, and the chi
Published 2019-12-02 · Watch on YouTube ↗
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